- Free Minolta Camera Manuals
- Minolta Maxxum 5000i Camera Manual
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- Free Minolta Maxxum 5 Manual
- Minolta Maxxum 9 Manual
- Minolta Maxxum 5 Manual Pdf
By reading the manual thoroughly, photo books and practicing, this camera is pretty easy to use even during manual and creative shots. After using different photofinishers and finding one that develops my film beautifully, I am now confident that my Minolta can take my beginners photography further. The Minolta Maxxum 5 (made in malaysia.
DiMAGE 7 / DiMAGE 5
Technical Specifications
CCD: | DiMAGE 7: |
pixels | |
DiMAGE 5: | |
pixels | |
Number of effective pixels: | DiMAGE 7: |
4.95 million | |
DiMAGE 5: | |
3.17 million | |
A/D conversion: | 12 bits |
Camera sensitivity: | Auto, ISO 100, 200, 400, 800 (ISO equivalent) |
Aspect ratio: | 4:3 |
Focal length: | DiMAGE 7: |
7.2 – 50.8mm (35 mm equivalent: 28 - 200 mm) | |
DiMAGE 5: | |
7.2 – 50.8mm (35 mm equivalent: 35 - 250 mm) | |
Lens construction: | 16 elements in 13 groups (includes 2 AD glass elements and 2 |
aspheric elements) | |
Maximum aperture: | f/2.8 – f/3.5 |
Minimum focus distance: | 0.5m (from the CCD) |
Minimum macro focus distance: | |
25cm (from the CCD) | |
Approx. 13cm (from the front of the lens) | |
Maximum magnification: | 0.18X |
Optical zooming control: | Manual zooming ring |
Filter diameter: | 49mm |
Viewfinder type: | EVF (Electronic viewfinder) |
DiMAGE 7: | |
Automatic monitor amplification |
Electronic magnification | ||||||
Viewfinder LCD: | Ferroelectric 4.8mm (0.19 inch) reflective liquid crystal microdisplay | |||||
Equivalent visual resolution: 220,000 pixels | ||||||
LCD monitor: | 46mm (1.8 inch) TFT color | |||||
Total number of pixels: 122,000 | ||||||
Field of view: | EVF: 100% (approx.) | |||||
External LCD monitor: 100 % (approx.) | ||||||
display | ||||||
Viewfinder magnification: | DiMAGE 7 | |||||
0.31 – 2.1X | ||||||
DiMAGE 5 | ||||||
0.38 – 2.58X | ||||||
Diopter control: | – 5 ~ +0.5 diopter | |||||
Eye relief: | 20mm (from the eyepiece) | |||||
17.5mm (from the eyepiece frame) | ||||||
Shutter: | CCD electronic shutter and mechanical shutter | |||||
Shutter speeds: | 1/2000 - 4 s, Bulb (max. 30 s) | |||||
Autofocus system: | Video AF | |||||
Autofocus areas: | Wide | focus | area, | Spot | focus | point |
Flex Focus Point control is available with the spot focus point | ||||||
Focus modes: | Autofocus: | |||||
Manual focus | ||||||
Focus lock: | With | |||||
partway down | ||||||
Metering: | ||||||
DiMAGE 7 | ||||||
300 segments | ||||||
DiMAGE 5 | ||||||
256 segments | ||||||
Exposure control range: | Wide: Ev 1 – 17 | |||||
Telephoto: Ev 1.6 – 17.7 | ||||||
Exposure modes: | Programmed AE (with program shift), Aperture priority, Shutter | |||||
priority, Manual |
Exposure compensation: AE lock:
Flash metering:
Flash modes:
Continuous advance:
Interval recording:
Digital Enhanced Bracketing:
Movie recording:
Digital subject program selection (Portrait, Sports action, Sunset, Night portrait, Text)
± 2 Ev in 1/3 increments
With
ADI,
Wide: 0.5 - 3.8m (approx.) Telephoto: 0.5 - 3m (approx.) (Camera sensitivity: auto)
± 2 Ev in 1/3 increments All shutter speeds
*Macro Flash Controller is necessary.
DiMAGE 7
1.1 fps (max.)
DiMAGE 5
1.3fps (max.)
*Continuous advance speed is approximate and may vary depending upon the subject and shooting conditions.
*Continuous advance is not available for images recorded in the super fine or RAW mode.
2 – 99 frames
Interval time: 1 – 10 min., 15 min., 20 min., 30 min., 45 min., 60 min. Exposure, Contrast, Color saturation
Free Minolta Camera Manuals
Exposure: 1.0, 0.5, 0.3 Ev increments Contrast, Color saturation: fixed increments Number of brackets: 3 frames
10 s (approx.)
60 s (max.)
Operating time:
Color modes:
Sharpness settings: Digital Effects Control: Digital zoom:
Delete function: Format function: Data imprinting:
Number of recorded pixels (Movie clips):
DiMAGE 7
DiMAGE 5
Automatic, Preset (Daylight, Tungsten, Fluorescent, Cloudy), Custom
Three levels (Soft, Normal, Hard)
Exposure, Color saturation, Contrast compensation 2X
Single, multiple, or all frames can be deleted. Available in the setup mode
Year/month/day (Format can be changed.) Month/day/time
Text
Text and serial numbers Imprinting can be disabled.
Economy, Standard, Fine, Super fine, RAW
DiMAGE 7
2560 x 1920, 1600 x 1200, 1280 x 960, 640 x 480
DiMAGE 5
2048 x 1536, 1600 x 1200, 1280 x 960, 640 x 480
320 x 240
Storage capacity: | Approximate storage capacity of a 16 MB CompactFlash card**: | ||
DiMAGE 7 | DiMAGE 5 | ||
RAW: | 1 frame | 2 frames | |
Super fine: | 1 frame | 1 frame | |
Fine: | 7 frames | 9 frames | |
Standard: | 15 frames | 16 frames | |
Economy: | 22 frames | 27 frames | |
Movie† | 90 seconds | 71 seconds |
*Recorded pixels: | DiMAGE 7: 2560 x 1920 |
DiMAGE 5: 2048 x 1536 | |
**Actual number of images may vary depending upon subjects. | |
†Total number of seconds that can be stored |
File format: | Exif 2.1 (JPEG, TIFF), Motion JPEG (AVI), RAW |
DCF | |
Exif tag information: | Date and time, Exposure mode, Shutter speed, Aperture value, |
Exposure compensation value, Metering method, Flash on/off, | |
Camera sensitivity, White balance setting, Focal length, Color | |
space, etc. | |
Printing output control: | PRINT Image Matching |
Recording media: | Type I and Type II CompactFlash cards |
IBM Microdrive (170MB, 340MB, 512MB, 1GB) | |
PC interface: | USB ver. 1.1 |
Video output: | NTSC, PAL (selected on the camera) |
Audio signal: | Tone indicates operation. |
Audio signal can be disabled. | |
Batteries: | 4 AA batteries |
Use of |
Battery performance | |
(Playback): | DiMAGE 7 & DiMAGE 5 |
Continuous playback time: 110 min. (approx.) | |
Based on Minolta’s standard test method: | |
batteries, external LCD monitor on, EVF off. |
Battery performance | |
(Recording): | DiMAGE 7 |
Number of recorded images: 200 frames (approx.) | |
Based on Minolta’s standard test method: | |
external LCD monitor off, flash used with 50% of the frames, no | |
instant playback, standard image quality, | |
1920). |
DiMAGE 5 | |
Number of recorded images: 200 frames (approx.) | |
Based on Minolta’s standard test method: | |
external LCD monitor off, flash used with 50% of the frames, no | |
instant playback, standard image quality, | |
1536). | |
External power source: | 6V DC with specified AC adapter (sold separately) |
Dimensions: | 116.5 (W) x 90.5 (H) x 112.5 (D) mm |
Weight: | Approx. 505g (without batteries or recording media) |
Operating temperature: | |
Standard accessories: | AA Alkaline Batteries |
Neck Strap for DiMAGE 7/5 | |
Lens Cap (49mm) | |
Lens Shade for DiMAGE 7/5 | |
Accessory Shoe Cap | |
Video Cable for DiMAGE 7/5 | |
CF Card 16MB | |
USB Cable for DiMAGE 7/5 | |
DiMAGE Software | |
Optional accessories: | Camera Case for DiMAGE 7/5 |
External High Power Battery Pack Kit |
Remote Code
Remote Code
AC Adapter
•AC Adapter
INPUT: 100 - 120V AC, 50/60Hz; OUTPUT: 6V DC, 2A
Minolta Maxxum 5000i Camera Manual
•AC Adapter
INPUT: 100 - 240V AC, 50/60Hz; OUTPUT: 6V DC, 2A
Specifications and accessories are based on the information available at the time of printing and are subject to
change without notice. Printout sizes are approximate.
System Requirements
IBM PC/AT compatible computer with preinstalled Windows Me, Windows 2000, Windows 98*, or Windows 98 Second Edition* and with a
Power Mac G4 (includes dual processor G4 and G4 Cube) series, G3 (Blue and White) series, iMac series, iBook, or PowerBook G3 with preinstalled Mac OS 8.6** – 9.1 and with a
•Problems may be encountered depending on what other USB devices are being used in parallel with this product.
•Only a
•Normal operation may not be possible even when all the system requirements are met.
*Users of the Windows 98 and Windows 98 Second Edition must install dedicated driver software included in the DiMAGE 7 and DiMAGE 5 package.
**Users of the Mac OS 8.6 must download free dedicated driver software from the Apple Computer web site and install it.
System requirements are based on the latest information available at the time of printing and are subject to change without notice.
*Windows is either registered trademark or trademark of Microsoft Corporation in the United States and/or other countries.
*Macintosh is a trademark or registered trademark of Apple Computer Inc.
*Other corporate names and product names are trademarks or registered trademarks of their respective companies.
If you are a professional photographer, then you certainly know that you are as good as your equipment – and investing in high-end equipment is of paramount importance, if you want to stand out from all the other photographers! That being said, here you will find the top 10 best Minolta film SLR lenses in 2019, lenses that every respected photographer should have in his kit!
Minolta Maxxum 5 Instruction Manual
Table of Contents
The Minolta MC Tele Rokkor F2.8
The Tele Rokkor PF f2.8 MCII lens by Minolta feature an 135mm manual focus, an aperture that ranges between f2.8 and f22, a high-end and stylish MCII body design as well as embedded lens hood designed to protect your valued investment from scratches and abrasions.
The Minolta Maxxum Dynas AF 28mm Lens
This type of lens is very versatile, as it matches not only all the Dynax SLR and DLR cameras, but also the Sony Alpha DSLTs and DSLRs as well. Designed to produce clear, crisp and sharp images, the Minolta AF 28mm lens comes with a very smooth focus, a clean barrel and a rather cost-effective price tag as well.
The Minolta Rokkor-X 50mm Manual Focus Lens
The 50mm 1:1.4 manual focus lens by Minolta Rokkor can be easily adjusted, adapted and modified to be used for other cameras as well – it is suitable for Sony and Minolta, as well as for Nikon and Canon. What makes this lens so special is the fact that it comes with a very smooth bokeh and it also has a very sharp wide open. Moreover, the lens is made in Japan and it is designed to last in the long run.
The Minolta MD 50mm Lens
This mount lens measures no less than 50mm in diameter and it features a 1:1.7 aperture – made in Japan, this lens is volatile enough to work with film cameras and other types of cameras, and they are also a great choice for creating a soft background. Moreover, the lens can also be easily used to shoot in low light.
Konica Minolta AF Zoom 75-300mm Lens
This is an f4.5-f5.6 SLR lens that works perfectly for the Maxxum SLR cameras – as a matter of fact, the lens is specifically created to be used with the Minolta Maxxum Autofocus SLR cameras. This is a technologically advanced lens that ensures an efficient focus and data flow from the ROM integrated circuit of the lens to the central processing unit of the camera, and it also features an advanced ADI flash metering. Last, but not least, the lens also has a wide focusing ring for better control and for the ultimate comfort.
The AF 35-105mm F3.5-F4.5 Minolta Maxxum Lens
This Minolta Maxxum lens vary greatly from the other ones describes above – compact and lightweight, this lens can be attached to any Sony camera within seconds.
The Minolta 2662-110 50mm Autofocus Lens
This autofocus lens is specifically designed to save photographers a lot of time and trouble – with an angle of view of 47 degrees and a magnification of 1-6.7, this lens matches a filter size of 55mm, an F-stop range of 1.4-22 and a minimum focus distance of no less than 1.5 feet.
The Minolta AF 35-80mm F4-5.6 Silver Zoom
The Minolta Silver Zoom lens are fully compatible with all the Minolta Maxxum AF SLR Cameras, it features a construction of 8 different elements in 8 groups and comes with a generous diameter of 49mm. Designed to ensure a high-quality accuracy and an impeccable color rendition, the Minolta Silver Zoom is made with top-notch optical glass!
The Minolta Maxxum AF 70-210mm Telephoto Zoom Lens
This Telephoto Zoom Lens is specifically designed to be used with Sony Alpha, and it is extremely popular amongst photographers who work with Konica Minolta products. Featuring a sturdy and very durable construction combined with high quality optics, the Minolta Maxxum AF 70-210mm is a great choice for professionals who do not want to make any compromise when it comes to the clarity of their photos.
Free Minolta Maxxum 5 Manual
Moreover, this lens also promises to deliver impeccable performance, minimal distortion, high-quality color rendition as well as an irreproachable AF speed. Although this is certainly not the cheapest type of Minolta lens available on the market, it is undoubtedly worth the investment, both from a functional and an aesthetic point of view. Overall, it is safe to say that this lens is a very versatile, stable and durable, and it also has a very specific and distinctive feel to it that simply makes it one of a kind.
Sigma 70-300mm f/4-5.6 DG Macro Telephoto Zoom For Minolta Cameras
Minolta Maxxum 9 Manual
Though it isn’t manufactured by Minolta, the Sigma DG Macro Telephoto Zoom lens is designed to be compatible with Minolta threading, not to mention Sony, Nikon, and Canon cameras. You should still check to make sure that your particular model of camera can fit the lens.
This lens will let you take the best shots of small objects like flowers or insects. With 14 different lens elements organized in 10 functional groups, this lens is also capable of taking highly intimate portrait photos that show the blemishes of your subject.
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You’ll need to be an experienced macro photographer to get the most out of this lens, however. The zoom features on the lens require a delicate touch to get the best focus, and being experienced is the best way to get a good result.